Skip navigation
CONNECT
Contact Us
MYPRODUCTION (0)
Continue

This item has been added to your production.

View MyProduction

Audio Post Production & Sound Mixing

Our award-winning team and independent specialist companies based on the lot provide the complete sound package for Film and TV Post Production.

We offer scalable capacity, leading edge technology and deliver consistent high quality, timely and cost-competitive output to all our clients.
 

Credits

2012

The sequel to Clash of the Titans, returned to Shepperton Studios using 7 of its stages as well as...


2011

Sherlock Holmes returned to Pinewood and Shepperton for the sequel to Guy Ritchie's Sherlock Holmes...


2011

Post Production was carried out at Pinewood Studios, Pressburger Theatre was used for the mix and was...



Sound design
Expand

Arguably the best film sound design team working out of the UK is based here on our Pinewood lot:

We have experience in building bespoke sound elements that either synchronise with on-screen action or provide an overall atmosphere to a scene. Both aspects work together to create ‘mood, pace and feeling to your project, from booming impacts to the most subtle of moments.’
 

 

Foley & ADR
Expand

Foley’s purpose is to either compliment or replace sound recorded on set with new sound elements recorded in a more controlled environment.

ADR; an acronym for Automated Dialogue Replacement, the process by which dialogue recorded on-set is replaced after the event in more controlled studio conditions

The process of combining separate elements created during Sound Design, Foley & ADR, Music Recording and Editorial into a coherent whole.

Audio level, tone, treatment and positioning within a surround speaker matrix are all controlled – combining artistry with technical expertise to deliver award-winning results.

Orchestral, band and solo sessions can all be accommodated in a prestigious facility based at our Pinewood lot.

The process of selecting, cutting and manipulating previously recorded sound elements in advance of their mixing and final mastering.

This service is routinely provided to our clients either using partner tenant companies or in-house talent.

Alternatively let us accommodate your visiting editorial team in our secure, networked and comfortable serviced cutting rooms.

QA & QC
Expand

Quality Assurance and Quality Control are vital checks during the making and finalising of your content to ensure that it reaches the highest creative and technical level.

We offer both standard and bespoke workflows that combine people and technology to best suit your requirements.
 

When a title is released worldwide it is often the case that the majority of its earnings are made through International sales. Market potential dictates whether that title is dubbed into a new language or sub-titled instead.

In order to maximise worldwide sales campaigns and maintain security, content is often released ‘day-and-date’ – simultaneously across the globe.

Scalable services and capacity, streamlined secure workflows and native language skills are all required to deliver high quality and timely output in such scenarios.

The process of converting analogue or digital master audio into a photographic representation of itself - for onward theatrical distribution using 35mm film.

Our team are recognised experts in their field – with attention to detail and reliable service their hallmark.

In addition to supporting Dolby digital and analogue formats we offer full SDDS and DTS compatibility – with your input media received physically or via secure electronic delivery.

Physical Asset Transfer and Electronic Asset Migration services

Physical Asset Transfer

Content owners face ongoing challenges in order to commercialise their archived assets. Whilst carefully controlled storage conditions can help to stabilise historic media, physical assets in particular do deteriorate over time.

Many of our clients ask us to regularly assess their archived media in order to recommend the best strategy to preserve it – and consequently to enable it to be appreciated by a new audience.

The process of removing undesirable noises – such as clicks, crackle, hiss and hum – in order to enhance the overall quality of a soundtrack. This should be carried out both in keeping with the original program and without introducing any audible artefacts.

There are myriad ways in which electronic content can be consumed – from Digital Cinema through broadcast, DVD, Blu-ray and Video On Demand.

All require that media be delivered to exacting standards - in varied formats, file-types and compression rates to suit – and to deadline.